Gem News International Gems & Gemology, Spring 2024, Vol. 60, No. 1

Historical Relics Repurposed into Jewelry


Figure 1. An 18K yellow gold and blackened sterling silver shagreen wide cuff bracelet, pendant, earrings, and ring set with antique mother-of-pearl gaming counters. Courtesy of Sarosi by Timeless Gems.
Figure 1. An 18K yellow gold and blackened sterling silver shagreen wide cuff bracelet, pendant, earrings, and ring set with antique mother-of-pearl gaming counters. Courtesy of Sarosi by Timeless Gems.

One theme that emerged at the AGTA, GJX, and Pueblo shows was the repurposing of historical artifacts to produce new jewelry items. We saw the incorporation of Chinese, Greek, Viking, and medieval European artifacts into various jewelry pieces at all three shows. Many attendees were drawn to the idea of having a connection to the past in a wearable form.

At GJX, Sarosi by Timeless Gems (Los Angeles) exhibited eye-catching carved mother-of-pearl jewelry (figure 1). While the sheer beauty of the pieces initially caught the authors’ attention, the craftsmanship and story behind them enabled this collection to stand out among a sea of designs. At the center of all the pieces in the collection were hand-engraved mother-of-pearl Chinese gaming counters, once used like modern-day gambling chips. The eighteenth-century counters were commissioned by British royalty and nobility during the Qing Dynasty. Most were engraved on one side with family crests or monograms, with the reverse side illustrating some aspect of Chinese life. The counters were surrounded by a combination of 18K yellow gold, polished sterling silver, and blackened sterling silver, handcrafted by jewelers in Los Angeles to evoke traditional Chinese architecture.

Figure 2. Three ancient artifacts repurposed by Zaffiro. Top left: Medieval silver-gilt strap end from the thirteenth to fifteenth century, set in granulated 22K yellow gold with a 0.07 ct red spinel. Center: Gilded bronze medieval mount from the twelfth to fourteenth century, set in 22K granulated and 18K yellow gold with 0.15 carats of tsavorite garnet and an 11.5 × 14.0 mm black Tahitian pearl. Bottom right: Gilded bronze belt mount from the tenth to twelfth century, set in granulated 22K yellow gold with a 0.13 ct blue sapphire. Photo by Robert Weldon; courtesy of Zaffiro.
Figure 2. Three ancient artifacts repurposed by Zaffiro. Top left: Medieval silver-gilt strap end from the thirteenth to fifteenth century, set in granulated 22K yellow gold with a 0.07 ct red spinel. Center: Gilded bronze medieval mount from the twelfth to fourteenth century, set in 22K granulated and 18K yellow gold with 0.15 carats of tsavorite garnet and an 11.5 × 14.0 mm black Tahitian pearl. Bottom right: Gilded bronze belt mount from the tenth to twelfth century, set in granulated 22K yellow gold with a 0.13 ct blue sapphire. Photo by Robert Weldon; courtesy of Zaffiro.

In the AGTA designer showroom, Zaffiro (Walla Walla, Washington) devoted a section of their case to their artifact collection, comprising sixth- to fifteenth-century Viking, Anglo-Saxon, and European medieval relics that they incorporated into jewelry (figure 2). These one-of-a-kind pendants integrate actual buried treasure purchased from a reputable auction house in the UK. Zaffiro founders Jack and Elizabeth Gualtieri explained that they like to use items from before the advent of the printing press. Many of the antiquities, originally used to decorate items such as belts, clothing, and horse tack, have retained their original gilding. The Gualtieris set the artifacts in 22K gold frames or rivets and decorate with granulation, sometimes accenting the pieces with colored stones. The appeal of these pieces is in the stories that they tell.

Back at the GJX show, Shans Premier (New York City) offered a large selection of antiquities, including coins in addition to colored stones and jewelry. This multi-generational business has been dealing in antiquities for more than 100 years and in the U.S. for about 40 years. This was their thirtieth year in Tucson. They typically sell more gemstones at U.S. shows, but in Tucson they have a strong following for their antiquities.

Figure 3. A silver Greek Athenian owl tetradrachm from the fifth century BCE weighing approximately 17.2 g with an approximate diameter of 24 mm set in an 18K yellow gold pendant, which cleverly allows the rotation of this coin to face upward on both sides even though the two sides are not stamped in the same orientation. The left image shows the coin obverse with a profile of Athena, and the right image shows the coin tail featuring her patron animal, the owl, which was also a symbol of ancient Athens. Photos by Jennifer Stone-Sundberg; courtesy of Shans Premier.
Figure 3. A silver Greek Athenian owl tetradrachm from the fifth century BCE weighing approximately 17.2 g with an approximate diameter of 24 mm set in an 18K yellow gold pendant, which cleverly allows the rotation of this coin to face upward on both sides even though the two sides are not stamped in the same orientation. The left image shows the coin obverse with a profile of Athena, and the right image shows the coin tail featuring her patron animal, the owl, which was also a symbol of ancient Athens. Photos by Jennifer Stone-Sundberg; courtesy of Shans Premier.

Sason Shan described a particularly intriguing pendant incorporating one of the most circulated coins from the height of classical Greek civilization: the silver Athenian owl tetradrachm (figure 3). This surprisingly heavy coin was used throughout the ancient world around the time of the Peloponnesian War. Greece minted enormous quantities of these coins using silver from Laurion. Worth several days’ wages, they were too valuable for basic transactions (R.A. Augustin, “Ancient coins – The most famous coin of antiquity – The Athenian owl,” Coin Week, 2022, accessed February 10, 2024, https://coinweek.com/ancient-coins-famous-coin-antiquity/).

With sustainability at the forefront of many consumers’ minds, these upcycled designs extend the life of antiquities, allowing them to be displayed for many years to come.

Lisa Kennedy is a subject specialist at GIA in New York. Jennifer Stone-Sundberg is senior technical editor for Gems & Gemology at GIA in Carlsbad, California.